“Final Fantasy XVI aims to integrate the story and the gaming experience into a single player game. Unlike online, which portrays multiple players simultaneously, Final Fantasy XVI focuses on the individual. VGC translated the interview, with the producer saying: “Development of the latest title, Final Fantasy XVI, is in its final stages. Takai is largely known for his work across the SaGa series, as well as his direction of The Last Remnant.UPDATE 5th May 2022: Yoshida revealed in a UNIQLO magazine that the game is near the end of it’s development! Hiroshi Takai might not be a name you recognize, but rest assured as he has been working at Square Enix for over 30 years now. For XVI, he will be working as the Producer, with Hiroshi Takai acting as Director for the title.
His creative visions for the title have truly shined as some of the best Final Fantasy content out there to date, and his influence and work on XVI will surely be something special as well. Yoshida is best known for his work on Final Fantasy XIV and is largely credited for turning the game around from its disastrous launch as the game’s Director. The other major influence on FFXVI is Yoshi-P, or Naoki Yoshida.
The reveal trailer music was perfectly fitting for the high fantasy feel of the trailer and has us longing for more, which should not be too far off considering we are due for more news on the title this year. Soken’s work on XIV has truly been nothing short of remarkable, and we cannot wait to hear what he will compose for the world of Valisthea. This piece gives listeners a great opportunity to hear some of the various styles Soken can easily compose under, and assure them that his work on XVI is sure to be phenomenal.
Back at Final Fantasy XIV’s 2021 Fan Festival, the full theme of Endwalker, the latest FFXIV expansion, was revealed – fully composed by Soken. Soken’s style is incredibly unique and will be an absolute joy to listen to while roaming the world of XVI. We absolutely have some guesses though, with the first being this symbolizing a “breaking of the chains” set by the history of the crystals throughout Final Fantasy’s lifetime.Īside from his beautiful singing at the Final Fantasy XIV Fan Festival, Masatoshi Soken also composes the music for both Final Fantasy XIV and soon-to-be Final Fantasy XVI. Creative Business Unit III stated this in the trailer for a reason, and it is anyone’s guess as to what exactly it is implying. The reveal trailer for Final Fantasy XVI showcased inner politics in the world, as well as a very interesting message – “The legacy of the crystals have shaped our history for long enough”.
XVI is extremely similar to IX in my mind, coming in at a time when the series had not offered a high fantasy setting in quite some time. All of which had modern settings, straying towards the futuristic appeals of the series that VII and VIII set in place back in the 1990s. Over the course of the past decade or so, we have seen the release of Final Fantasy XIII and the Fabula Nova Crystallis series of games, Final Fantasy XV (which depending on who you talk to could fall under FNC), and Final Fantasy VII Remake. It has been a hot minute since mainline Final Fantasy was truly in a fantasy setting. Here are 5 reasons you should be excited about the next mainline Final Fantasy game, Final Fantasy XVI. There is a lot to look forward to with this title, and although we might not know too much at the moment, the things we do indeed know are truly exciting. Hopefully, Square Enix will showcase it in one of the upcoming PlayStation presentations, one of which happens to be airing this Thursday. Ever since the game’s reveal back in September of last year, fans have been incredibly anxious and excited to see more of the title.
Final Fantasy XVI is the latest mainline game in Square Enix’s long-running Final Fantasy series, and there is so much to look forward to with the title.